Spanish design luminary Patricia Urquiola is celebrated for her sensitive humanistic touch and bold experimental spirit. Each of her creations marries the elegance of craftsmanship with the warmth and imagination of everyday living. Join us as we explore her creative universe and uncover the sustainable design philosophies underpinning her latest work for Kartell.
Kartell X Patricia Urquiola: New Releases Preview
01. AALAND
Inspired by the fluid beauty of Northern archipelagos, AALAND reimagines seating as interdependent “islands.” Modular sofas, armchairs, and ottomans in varying sizes can be freely rearranged to suit any space—breaking the mold of fixed configurations and challenging traditional seating notions. This organic ensemble transcends the single-seat armchair, inviting multiple “companions” to share your moments of rest and infusing every gathering with playful warmth.
02. LEPID
LEPID is defined by rigorously precise geometry and layered contours. What appears at first glance as a minimalist bookshelf or display stand reveals itself as a pared-down graphic composition—where linear aesthetics and practical functionality converge in perfect harmony.
03. CORTEZA
CORTEZA tables and planters are made from recycled materials and stand out for their nature-inspired design. Their surfaces present delicate veining that evokes the texture of bark, creating an organic but refined look that adapts elegantly to indoor and outdoor settings alike. The collection includes a side table, a coffee table and two planters, each designed to blend harmoniously into its surroundings. Each element combines sustainability and design, adding a touch of nature and style to the home.
Q: What is the core concept behind the AALAND chair you designed for Kartell?
A: “AALAND began simply as a chair, but we envisioned it as a Northern archipelago—a flexible, organic series that Kartell was missing. Each seat can stand alone or come together in clusters, so you can gather friends, your beloved pet, your work laptop, or even your child. It doesn’t just surround ‘me’—it embraces all facets of daily life. That’s why I wasn’t interested in another traditional armchair.
And once AALAND’s gentle, embracing forms were defined, I needed a counterpoint—so LEPID was born. In an era of infinite possibilities spurred by AI, I wanted to return to a controlled graphic vocabulary, adding visual tension when these two series coexist without losing their individual identity.”
Q: You frequently emphasize circular design. How do you view sustainability’s role in your creative process?
A:“To me, ecology and sustainability are not add-ons—they are the very core of design. As raw materials become scarcer, we must become ever more sensitive to repurposing existing resources, keeping them in continuous circulation and giving them new life. I remember my daughter’s favorite dress when she was little: once she outgrew it, we tore it into strips and wove them into new garments—preserving memories.
With glass, I collaborated with Glas Italia to transform factory off-cuts into a new bubbled glass, demonstrating how rethinking materials and techniques is the greatest joy of creation.”
Q3: You’ve partnered with many global brands. How do you adapt your design language to align with each brand’s identity?
A:“For me, every brand is a circle of friends. I begin by deeply understanding their values and working methods—just as I would in any close friendship. This dialogue ensures that each collaboration yields a distinct personality, yet remains perfectly in harmony with the brand’s DNA.”
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